Unveiling the Intersection of Painting and Technology

Early Computing Technologies and Painting

The exhibition begins by exploring the works created with and about early computing technologies. Just as in the 1970s, artists were already starting to experiment with these new tools. For example, John Baldessari's "Six Colorful Inside Jobs" from 1977 showcases how artists were adapting to the changing landscape. This early exploration laid the foundation for the subsequent developments in the relationship between painting and technology.

It's fascinating to see how these early works set the stage for the more complex interactions we see today. The use of computing technologies in painting was not just a passing trend but a significant shift in the artistic process.

Television, the Televisual, and Performance in Painting

As the exhibition progresses, it moves into sections on photorealism, the Internet, and automation. One of the standout works in this section is Carolee Schneemann's "Up to and Including Her Limits" from 1976. This video documentation of a performance challenges the masculine legacy of "action painting" by incorporating the female body as a creative force directly into the space and history of painting.

The transformation of the ephemeral act of mark-making into a durational experience through this video is truly remarkable. It shows how artists have continuously pushed the boundaries of painting by integrating different mediums and concepts.

Contemporary Artists and Digital Image Software

Contemporary artists like Petra Cortright and Wade Guyton also play a significant role in the exhibition. Petra Cortright creates work in Photoshop and other digital image software that is then printed on aluminum, blurring the lines between traditional and digital art. Wade Guyton manipulates the surface of the canvas using an Epson printer, adding a new dimension to painting.

Their works demonstrate how artists are using modern technologies to create unique and innovative pieces. It's clear that these artists are not afraid to experiment and explore new possibilities in painting.

Throughout the exhibition, we see how artists have been constantly adapting and evolving their practice in response to new technologies. "The Living End" is not just a retrospective but a forward-looking exploration of the future of painting.

For over a century, artists and critics have debated the death of painting. But this exhibition shows that painting is alive and well, constantly evolving and adapting to the changing world. It's a must-see for anyone interested in the intersection of art and technology.

The exhibition is open through 3/23/25, with suggested admission of for Chicago residents, for Chicago students, teachers, and those over 65, for non-Chicago residents, and for non-Chicago students, teachers, and those over 65. Free on Tuesdays for Illinois residents. Visit.mcachicago.org/exhibitions/the-living-end-painting-and-other-technologies-1970-2020/ to learn more.